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While Christopher Nolan 's The Odyssey dominates the global box office, another movie has achieved a remarkable feat on streaming. Both films are targeted at older audiences and are headlined by iconic American stars — Tom Hanks and Matt Damon — who worked together on a modern classic several years ago. The Odyssey grossed more than $250 million globally in its first weekend of release, while Hanks' Apple TV title passed a major milestone during the same window. The movie in question was originally supposed to be released in theaters, but was offloaded to Apple TV for a reported $70 million. The gamble paid off, with the film having cemented itself as a fixture on the streamer's viewership charts for over half a decade.

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Final Fantasy 10 's developers chose to move away from sci-fi after finding out that The Lord of the Rings was being adapted into a big-screen trilogy, and hoping they could be a part of the "next big global trend."

Square Enix is now celebrating 25 years since the original Final Fantasy 10 first launched, and in an effort to stop fans crumbling into dust, the company released an interview between Takashi Tokita (of Chrono Trigger and Parasite Eve fame) and series producer Yoshinori Kitase about the iconic game's production.

While Final Fantasy frequently flips between the sci-fi and fantasy genres, Final Fantasy 10 was originally supposed to follow on from Final Fantasy 7 and Final Fantasy 8's more tech-forward approach. According to Kitase, that quickly changed.

"During development, we initially took a more sci-fi approach at first, but when we thought about what would be trending in Hollywood around the time of FF10's release, we learned that The Lord of the Rings was in production," Kitase explains. "So we thought fantasy was going to be the next big global trend, and that was one of the reasons we decided to go with fantasy rather than sci-fi."

The timing worked out perfectly, too. Final Fantasy 10 began development in 1999 and came out in 2001, just a few short months before The Lord of the Rings: Fellowship of the Ring and Harry Potter and the Philosopher's Stone made waves in theatres.

Yuna's pilgrimage and Frodo's trek aren't too dissimilar when you take a step back, either. Both are tragic characters carrying a literal burden too heavy for anyone else, tasked with saving the world from a calamity that'll likely kill them in the process. But Final Fantasy 10's sci-fi routes still show up here and there in the final game, as well.

"It began with Mr. [Kazushige] Nojima wanting to explore a fantasy atmosphere that wasn't rooted in medieval Europe, but instead drew from more Eastern influences, since both FF7 and FF8 had maintained a sci-fi tone," Kitase adds.

Japanese gamers vote Final Fantasy 10 the most tear jerking JRPG of all time, but it seems the emotional appeal of Western indies like Undertale and Omori is universal

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Archaeologists in Russia have discovered a rare medieval wild-boar tusk that was likely used by a warrior or noble as a good-luck charm, a new study reports.

The unusual finding, a large tusk mounted with an engraved metal cap, dates to between the mid-12th and early 13th century. It was found in Novgorod the Great (also called Veliky Novgorod or Novgorod), one of the oldest major towns in Russia. One characteristic of the amulet, in particular, stood out.

"It's extraordinary because of its size. It's extremely big," Natalia Eniosova , co-author of the study and a metal scientist in the Department of Archaeology at Lomonosov Moscow State University, told Live Science. The tusk isn't complete, but the length of what's left is 3.9 inches (10 centimeters) long, with the widest point measuring 1.1 inches (2.8 cm) across. She and her colleagues' research revealed that the tusk came from a wild boar that was at least 8 years old and weighed over 220 pounds (100 kilograms).

"Such an animal would not have been hunted for food," she said, explaining that domestic pigs were a more practical and common food source at the time. The wild boar may have been eaten anyway, but the team doesn't know for sure.

Another trait that makes the amulet unique is its mount. While it looks like it's made of silver, Eniosova was surprised to find that it was almost 100% tin ‪—‬ specifically, a silver-imitating tin-lead alloy. Just like today, tin wasn't as valuable or as expensive as silver, but because there weren't many tin sources in Europe at the time, it was still rare.

A close-up of the tin mount and its engraved decorations. (Image credit: Tyanina E.A. et al. The Volga River Region Archaeology (2026)) It's interesting that such a soft material was carved with engraved decorations, Eniosova pointed out. "It wouldn't have been easy, and this ornament is quite elaborate," she said. "It's a very, very well-done object."

All of these unusual characteristics seem to align with the artifact's discovery in a part of the Troitsky XVI excavation area that would have been inhabited by wealthy individuals. In fact, it was probably a hunting trophy belonging to an aristocrat, noble or military man, Eniosova said.

Historical texts report that wild-boar hunting in medieval times in what is now Russia was a privilege of the "druzhina," or military retinue, and the nobility, according to the study, which was recently published in the journal The Volga River Region Archaeology . Regardless of whether the wild boar was eaten, at least one of its tusks was extracted and then mounted with metal. The team thinks it was kept as a good-luck charm, mostly because of its size.

"It is highly probable that this mounted tusk functioned as a martial or hunting talisman," the researchers wrote in the study. "It symbolized the transfer of the beast's physical prowess to the hunter and served concurrently as a charm for good fortune."

Similar animal amulets with holes at the top, worn as necklaces, were popular in Veliky Novgorod during this time period, Eniosova noted. The newfound wild-boar tusk is missing its top part, but it may have once had a hole.

A close-up of an engraved ornament on the boar tusk's mount. (Image credit: Tyanina E.A. et al. The Volga River Region Archaeology (2026)) It still would have been a rare object, however. Boar tusk amulets were common in earlier periods, but they were very rare between the second half of the 11th century to the first half of the 13th century, despite the enduring widespread belief that these tusks had magical qualities.

The amulet could be linked to Scandinavian mythology, according to Eniosova. Indeed, some of Veliky Novgorod's first settlers were from Scandinavia. But the amulet was created over 150 years after they left the area, so the relation is hypothetical, Eniosova said.

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Veliky Novgorod first appears in historical documents in the ninth century and was a major trading hub in the medieval polity known as Kievan Rus. Archaeologists theorized that at the time the boar tusk amulet was made, the city was inhabited by landowners and/or people involved with the fur trade, Eniosova said.

The finding is a "highly significant and unusual discovery," Alexei Gippius , a philologist at HSE University in Moscow who is familiar with Novgorod archaeology, told Live Science in an email.

Gippius, who knows the researchers but wasn't involved in the new study, added that the research sheds "new light on the origins and functioning of the mythological beliefs of the early Rus elite."